"Chengdu Exploration" on the Modernization of Social Governance System and Governance Capacity in Megacities

  Xinhua News Agency, Chengdu, November 26th: Party building leads "co-construction, co-governance and sharing" — — "Chengdu Exploration" on the Modernization of Social Governance System and Governance Capacity in Megacities

  Xinhua news agency reporter

  At the historical intersection of the goal of "two hundred years", the Fourth Plenary Session of the 19th Central Committee made a series of major arrangements around "upholding and improving the Socialism with Chinese characteristics system and promoting the modernization of the national governance system and governance capacity", and the grand blueprint of "the rule of China" gradually became clear.

  Social governance is an important aspect of state governance. Community is the "last mile" of social governance. To build a new pattern of grassroots social governance, it is necessary to improve the institutionalized channels for the masses to participate in grassroots social governance.

  When the reporter interviewed the urban and rural communities in Chengdu, he really felt the changes brought about by this institutionalized exploration: the living environment was continuously optimized and the people’s sense of gain was constantly enhanced … … Focusing on the pain points and difficulties of community governance around the people and improving the urban and rural community development governance system under the leadership of party organizations, Chengdu is embarking on an innovative road of governance modernization in megacities.

  Party building leads — — Building a new atmosphere of grass-roots social governance

  The turquoise old-fashioned internal combustion engine locomotive is matched with the old-fashioned workshop with red bricks and gray tiles. A huge portrait of a five-story cartoon panda stands on the street corner. The neat streets are decorated with all kinds of trendy art "graffiti", and many "online celebrity" small attractions attract tourists to stop and take pictures.

  Classic and modern art are intertwined, and fashion and local culture are organically combined — — This is the Xiajiancao Community in Erxianqiao Street of chenghua district after "rebirth".

  This is a corner of Xiajiancao Community, Erxianqiao Street, chenghua district, Chengdu, which was shot on November 12th. Xinhua News Agency reporter Xie Xiudong photo

  As a "veteran" community of 10,000 people in Chengdu, Xiajiancao Community used to belong to the family area of CRRC Chengdu Company, with over 14,000 residents. Since 2015, the family area with a long history has begun to carry out the separation and handover of enterprises. There are many people and many things, and the process of community transformation is extremely difficult.

  "The most difficult thing is to dismantle illegal buildings in the community." Zou Tao, secretary of the Party Working Committee of Erxianqiao Street, said that it is even more difficult to persuade residents to dismantle illegal construction and prevent the resurgence of illegal construction.

  "To promote the resolution of community governance problems, we must give play to the party’s core role of leadership at the grassroots level, and party member cadres should take the lead in demonstrating." Zou Tao said that the community has established a regional party building mechanism, set up a party building alliance, mobilized all the party member members of the two committees of the community to work at home, and opened up new ideas, and selected a building in the community to conduct a pilot project to show the transformation effect.

  Despite his advanced age, Jiang Changsheng, an old party member who has lived in this life for more than 50 years, still insists on working in various households. "There was a household who kicked me out the first time, and I went there three times, and they finally understood the importance of the environment."

  Near the end of the community transformation, an old resident of Xiajiancao community, who is nearly eighty years old, wrote a feeling that resonated with everyone — —

  "In the 1980 s and 1990 s, the community was neglected in management, and the private construction was not restrained. There were a number of shacks hatched around the buildings, and the public space was severely squeezed, giving people an invisible sense of oppression. Wechat groups often forward ‘ Keep the memory of old Chengdu ’ , always with the photos of our next ditch, it can be seen that the next ditch is an antique forgotten in the last century. "

  Now, when I go to Xiajiancao Community, what I see are neat and clean courtyards, well-laid parking spaces and exquisite literary public facilities. The "spider web in the air" has disappeared without a trace, and the community is also equipped with "face-brushing" security facilities.

  On November 12th, Zhang Li (left), a sewing master, showed the clothes sewn for her to the residents who came to pick up the pieces in the workshop of the Party-masses Service Center in Xiajiancao Community, Erxianqiao Street, chenghua district. Xiajiancao Community provides free venues for locksmiths, sewing masters, etc. in the Party-mass service center to facilitate the life of community residents. Xinhua News Agency reporter Xie Xiudong photo

  On November 12th, the staff provided social security consultation service for community residents in Xiajiancao Community Party-mass Service Center in Erxianqiao Street, chenghua district. Xinhua News Agency reporter Xie Xiudong photo

  On November 12th, Deng Zuhua, a shoemaker, was busy in the workshop provided by Xiajiancao Community Party and Mass Service Center in Erxianqiao Street, chenghua district. Xiajiancao Community provides free venues for locksmiths, sewing masters, etc. in the Party-mass service center to facilitate the life of community residents. Xinhua News Agency reporter Xie Xiudong photo

  In September 2017, Chengdu took the lead in establishing the Urban and Rural Community Development Governance Committee of Chengdu Municipal Committee (referred to as the Social Governance Committee), with the Standing Committee of the Municipal Committee and the Minister of Organization Department as the director of the Social Governance Committee to promote community governance innovation as a whole.

  In June 2018, Chengdu issued a document clearly stating that it is necessary to build a three-level party organization structure of "street, community and community" and form a tripartite linkage governance and service system of "community party organization+owners’ committee+property agency". At present, Party organizations have been established in 4,328 communities in the city, and nearly 80,000 on-the-job party member have shown their identity and made promises in the communities.

  Li Jun, director of the Organization Department II of the Organization Department of Chengdu Municipal Committee, introduced that "Chengdu Exploration" promoted the standardized operation of various organizations in the community and gradually moved towards an orderly governance state: promoting the establishment of party organizations by industry committees; Concluding the neighborhood convention, party member owners took the lead in demonstrating and called on residents to participate in the community construction.

  Qingbaijiang district Hancheng International Community successfully controlled parking chaos, and jinniu district Xinqiao Community gradually optimized the living environment … … The reporter found that there is no lack of party member in every corner of community governance in Chengdu.

  Tang Jiqiang, a professor at Southwestern University of Finance and Economics, believes that to solve the problem of "fragmentation and decentralization" in grassroots governance, Chengdu has embarked on a new path of leading grassroots governance with party building and solved many problems. Chengdu’s quest to strengthen streets, communities and communities, to build grass-roots party organizations into strong battlefortresses, and to improve the urban and rural grass-roots governance system led by party organizations in the Fourth Plenary Session has really come to fruition.

  Keep pace with the times — — Adhere to the continuous innovation of system and mechanism.

  In recent years, Chengdu’s urban form, mode of production and social structure have undergone profound changes. At present, there are 4,351 urban and rural communities under the jurisdiction of Chengdu, with an actual population of 21.2 million, with nearly 20,000 communities and more than 200 "10,000-person communities".

  Located in the logistics corridor north of Chengdu, Honghu Park City Community in Dafeng Street, Xindu District is one of the local large-scale "10,000-person communities", with a total population of over 12,000, and nearly 90% of the residents are foreign operators and migrant workers. Xu Yuchuan, secretary of the Party Working Committee of Dafeng Street, said that there were once "three differences" in the community: poor public security, poor order management and poor environmental sanitation.

  "The traditional concept of social management is no longer suitable for the characteristics of urban development stage and practical needs, ‘ Jiulong Water Control ’ The shortcomings of the system and the management inertia of fragmentation have affected the overall efficiency of urban governance. " Gao Wei, director of the Community Governance Division of the Social Governance Committee of Chengdu Municipal Committee, said.

  The reporter learned from the Reform Office of Chengdu Municipal Committee that Chengdu took the lead in setting up a leading group for urban and rural community development and governance, clearly defined the division of responsibilities between the Social Governance Committee and organizations, politics and law, civil affairs and other departments, and made it clear that the Social Governance Committee took the lead in formulating long-term goals and phased tasks for urban and rural community development and governance, formulating a policy system for urban and rural community development and governance, and promoting the construction of a diversified governance system.

  "The establishment of the Municipal Committee of Social Governance has solved ‘ One department can’t grasp it, and many departments can’t grasp it well ’ Community governance problems. " Gao Wei said that the Social Governance Committee of the Municipal Party Committee has integrated more than 40 departments related to community governance and made overall plans for various governance matters and funds, greatly improving the overall work efficiency and governance capacity.

  Through "looking for party member, building organizations, optimizing mechanisms, grasping services and planting culture", Honghu Park City Community gradually changed from chaos to governance. The reporter recently came here and found that the clear river meanders through the community, the service staff of the community workstation are busy, and the elderly and children live leisurely in the courtyard dam.

  Song Guilun, a professor at China Institute of Education and Social Development of Beijing Normal University, believes that at this stage, "big city disease" is widespread in big cities in China, mainly covering population, traffic and pollution. If you want to solve it, it is difficult to cure your feet simply by treating your head with headache and your feet with pain. You must start with the innovation of the system and mechanism to make overall plans to solve it.

  People-centered — — Strive to create a new pattern of co-construction, co-governance and sharing

  The weather is beautiful and the blue sky is like washing. Hundreds of colorful flags neatly surround the lighting stadium in Xiajiancao community. On the stage of Yuanba, the "Yunmei" senior dance troupe is rehearsing the fan dance.

  On November 12th, an elderly dance troupe rehearsed the fan dance under the guidance of the teachers of the community art troupe on the stage of the courtyard dam of the cultural activity center of Erxianqiao Street in chenghua district. Xinhua News Agency reporter Xie Xiudong photo

  "The average age of our team is 62 years old. These more than 300 flags represent more than 300 community folk dance groups." The 70-year-old Chen Huajun told reporters that she had founded the dance troupe for 20 years. Before, she could only practice dancing in the "Bazi", which was stormy and the conditions were difficult. In recent years, many communities are competing to provide free and high-quality indoor and outdoor venues for the dance troupe, which makes the "girls" happy.

  On November 13th, citizens danced in the Party-mass Service Center of Xinqiao Community in jinniu district. Xinhua News Agency reporter Xue Yubin photo

  On November 13th, citizens danced in the Party-mass Service Center of Xinqiao Community in jinniu district. Xinhua News Agency reporter Xue Yubin photo

  Last year, in Erxianqiao Street, a brand-new cultural activity center for free use by community residents was officially launched.

  When the reporter walked in here, he heard the sweet dance music coming from the music classroom. There were several custom-made dance costumes on the first floor, including Hanfu, modern dance and folk dance costumes. On the second floor, there are musical instrument training classrooms, paper-cutting art classrooms and activity rooms for the disabled.

  On November 12th, in the cultural activity center of Erxianqiao Street, chenghua district, Chengdu, an elderly choir practiced chorus under the guidance of the teachers of the community art troupe. Xinhua News Agency reporter Xie Xiudong photo

  On November 12th, a community resident showed his handmade works at the Cultural Activity Center of Erxianqiao Street in chenghua district. Xinhua News Agency reporter Xie Xiudong photo

  

  On November 12, a resident was studying China’s Chess Manual at the neighborhood platform of chenghua district Erxianqiao Street Community Development Governance Support Center. Xinhua News Agency reporter Xie Xiudong photo

  To say that the most impressive thing in the central building is the happy smiles on the faces of residents who are active here.

  "To improve the ability of community governance, we should not only rely on the government, but also introduce social forces to participate in joint construction, governance and sharing." Zou Tao said.

  Xinqiao Community in Shaheyuan Street, jinniu district used to be a distribution center for steel logistics, with a complex living environment. In recent years, streets and communities have joined hands with enterprises to create a high-quality environment — — Chengdu Contemporary Image Museum and Photography Theme Park have sprung up. Nowadays, Xinqiao Community has become a well-known "punch-in" point in online celebrity. Photographers and tourists have heard the news and residents are bursting with pride.

  On November 13th, visitors took photos in the Photography Art Museum in Xinqiao Community, Shaheyuan Street, jinniu district. Xinqiao mainly focuses on photography characteristic communities, including photography cultural and creative characteristic streets and photography theme parks, which are deeply loved by local residents and domestic and foreign tourists. Xinhua News Agency (photo by Xu Bingjie)

  Chengdu has also made great efforts in reducing the burden on communities: formulating some measures to reduce the burden on communities and reducing the number of community certification items from 313 to 15; Set up special funds for communities, and match 350,000 yuan of guarantee funds for each urban and rural community every year … …

  "Improve the community management and service mechanism, implement grid management and service, and give play to the role of group organizations and social organizations", "Push the focus of social governance and service down to the grassroots level, sink more resources to the grassroots level, and better provide accurate and refined services" … … The Fourth Plenary Session of the 19th CPC Central Committee put forward clear requirements for building a new pattern of grassroots social governance.

  The efficiency of online government affairs listening to public opinion is also improving. In October 2018, the "Tianfu Citizen Cloud" platform was officially launched, integrating 189 services from 57 departments and opening more than 1,000 community channels. Up to now, the number of registered users has reached 3.43 million, and it has served the citizens for 90 million times.

  Integrating the power of grassroots social governance, innovating the means and carriers of grassroots social governance, and constantly promoting the socialization, rule of law, intelligence and specialization of social governance have always been the direction of Chengdu’s exploration and efforts.

  Yang Jinzhong, deputy director of the Policy Research Department of the Political and Legal Committee of Chengdu Municipal Committee, introduced that since 2017, Chengdu has started the integration of grid services throughout the country, divided the whole city into 15,329 grids, and identified 13,445 full-time grid workers to perform duties such as finding problems, collecting information, persuading disputes, and launching publicity, which has improved the standardization and refinement of grid management, and promoted the downward shift of social governance focus, strength and security. Since the beginning of this year, grid workers have found, reported and handled more than 14,000 public security incidents and 1.048 million fire, traffic and food safety incidents, which have effectively solved the most direct and realistic livelihood problems of the people.

  According to the survey results of the third-party social questionnaire, 95.8% of the Chengdu residents interviewed at present recognize the construction of high-quality harmonious and livable communities, and 96.6% of the citizens think that the community has undergone gratifying changes.

  On November 13th, citizens read books in the Party-mass Service Center of Xinqiao Community in jinniu district. Xinhua News Agency reporter Xue Yubin photo

  The interior of the Party-mass Service Center in Xinqiao Community, jinniu district, Chengdu, taken on November 13th. Xinhua News Agency reporter Xue Yubin photo

  "On the basis of the existing exploration, Chengdu will further improve the reform measures in accordance with the requirements of the Fourth Plenary Session, and improve the urban and rural grassroots governance system that combines autonomy, rule of law and rule of virtue under the leadership of party organizations to ensure changes in the city, benefits for citizens and social recognition." The relevant person in charge of the Chengdu Municipal Committee said. (Reporter Shi Xiangzhou, Gao Kang, Ye Hanyong, Dong Xiaohong, Li Qianwei, Zhao Jiasong, Cui Yu, Cheng Shu)

Cultural self-confidence comes from our cultural subjectivity.

  Since modern times, there have been many arguments about how to treat Chinese and western cultures. More than 100 years ago, some people doubted or even denied their traditional culture when they saw that the western countries were gaining strength and expanding everywhere. They thought that everything in the west was good and they were inferior to others everywhere. Some people hope to learn from the strengths of the West and keep their own traditions, and put forward "learning from the West is the body, learning from the West is the use" or "learning from the West is the body, learning from the Middle School is the use".

  Differences between different cultures do exist, and we need a rational understanding of these differences. It should be noted that we can’t just look at the cultural differences from the stage of development. This difference is mainly manifested in that some cultures develop first and some cultures develop later. We should also see that there are also differences in types between different cultures. Different countries and nations in the world have different geographical environments, different historical processes, and different institutional mechanisms and customs, so it is not easy to form the same kind of culture. These different cultures have different characteristics and styles, but they are all part of a hundred gardens of human civilization. The General Secretary of the Supreme Leader pointed out: "Human beings are only different in color and language, and civilizations are only different in color, but there is no distinction between high and low." This provides a fundamental basis for us to understand the differences between civilizations.

  Because some western countries take the lead in opening the modernization process, some people think that western civilization is a model for the development of civilization. However, some late-developing countries copied the development model of western civilization, and as a result, they did not embark on the road of modernization. On the contrary, they fell into political turmoil and social unrest. In modern China, many people with lofty ideals explored the road of saving the nation and trying to imitate the West in terms of system and concept, but they all ended in failure. From a cultural point of view, it is difficult to blossom fragrant flowers and bear sweet fruits if two different types of cultures are grafted together stiffly. The heavy responsibility of history falls on the Communist Party of China (CPC). the Communist Party of China (CPC) people find Marxism, resolutely oppose historical nihilism and cultural nihilism, and combine the basic principles of Marxism with China’s concrete reality and Chinese excellent traditional culture, which not only makes Marxism have distinctive China characteristics, China style and China style, but also promotes Chinese excellent traditional culture from tradition to modernity.

  After the end of World War II, great changes have taken place in some developing countries, which not only got rid of colonial or semi-colonial status politically and achieved independence, but also made great progress economically. This change in economic, political and social situation has prompted developing countries to think about their own cultural traditions, inspire cultural self-esteem and self-confidence, and more consciously protect their own cultural traditions and build modern culture. As far as China is concerned, since the founding of New China, especially since the reform and opening-up, it has taken us decades to complete the industrialization process that western developed countries have gone through for hundreds of years, creating a miracle of rapid economic development and long-term social stability, and successfully opening up the road to Socialism with Chinese characteristics. General Secretary of the Supreme Leader pointed out: "With the reform and opening up, with the establishment of the correct Socialism with Chinese characteristics Thought and the socialist road, and with the fact that this road is correct in practice, cultural self-confidence will follow." In the new era, we see that Socialism with Chinese characteristics and the Chinese Dream are deeply rooted in people’s hearts, the core values of socialism are widely promoted, the excellent traditional Chinese culture is loved by more people, and people’s cultural self-confidence is constantly revealed.

  If the differences in the development level of science and technology and productive forces can be caught up and even eliminated through conceptual changes and social changes, then the differences in cultural types cannot be solved by "catching up", and it is impossible and unnecessary to solve them. A country and a nation must have cultural subjectivity if they want to walk out of their own modernization road. Cultural subjectivity is the premise of cultural self-confidence, and cultural self-confidence is an important embodiment of cultural subjectivity. General Secretary of the Supreme Leader pointed out: "Cultural self-confidence comes from our cultural subjectivity." During thousands of years of historical inheritance, Chinese civilization has always maintained the continuity of civilization records and formed the unity of pluralism, unity and concentration. After long-term exchanges and exchanges between various ethnic groups, you have me and I have you, showing the commonality, integration and centripetal subjectivity of social and cultural life. The Chinese nation is taking a road of civilized development different from other countries and nations. Chinese excellent traditional culture nourishes the sustainable development of the Chinese nation. The Communist Party of China (CPC) promoted the "two combinations", which further consolidated the cultural subjectivity. With cultural subjectivity, the Chinese nation and the people of China will have a solid cultural foundation of national identity, and they will be able to stand firm in the fierce world cultural agitation and go their own way independently.

  Of course, this does not mean that there is no need for communication between different types of cultures. In fact, since ancient times, different types of cultures have been communicating. General Secretary of the Supreme Leader pointed out: "History tells us that only through exchanges and mutual learning can a civilization be full of vitality. As long as we uphold the spirit of tolerance, there is nothing ‘ Clash of civilizations ’ Civilization and harmony can be achieved. " Chinese said: "If you are good, you will also enjoy the goodness of others." If you can, you can also enjoy the ability of others. " "Each is beautiful, the beautiful people are beautiful, and the United States and the United States share the same goal." These reflect a mind of mutual appreciation, coexistence and common prosperity. Civilizations of different countries and nations are rooted in the soil of their own nations and have their own characteristics, strengths and advantages. Different civilizations should adhere to mutual exchanges, learning from each other and learning from each other, instead of being separated from each other, mutually exclusive and replacing each other, so that the world’s civilized gardens can be colorful and full of vitality.

  Learning alone without friends is ignorant. In the long historical process, Chinese civilization embraces the whole world, harmonizes all nations, learns from others and is eclectic with its broad mind. We firmly adhere to the cultural subjectivity, and with a broad mind, draw on the outstanding achievements of civilizations created by different countries and nationalities, conduct cultural exchanges and cooperation with other countries in the world, and build the modern civilization of the Chinese nation with greater confidence.

  (The author is a professor of philosophy at Peking University)

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The "Anti-Violence" that has no "peace of mind" can only make you remember the bath towel.


Special feature of 1905 film network Does it look nice?The tail of November, the most puzzling problem for the author is the above five words.Simply from the perspective of "watching", the film "Eliminating Violence", which makes many people exclaim that it has the flavor of old Hong Kong films, is undoubtedly good enough.


Spectacular and exciting gun battles, fine restoration of the urban features in the 1990s, and the bathroom melee and execution court drama that everyone talked about, have failed to meet the public’s expectations for this theme and the typology of the star lineup under the verification of the box office results of easily breaking through 200 million in the "off-season" of winter and moon.


However, such a criminal investigation theme work that revisits the past of "cracking down on evil" in the new era, the biggest topic aroused after the screening is only related to the towel that the two protagonists can’t fall off when they fight.


Ironically, similar to the "regret" implied in the topic of "Daniel Wu didn’t even drop his bath towel in a fight" which rushed to the top of the hot search list, Eliminating Violence, which gave a full-screen visual crit, did not give any narrative surprise.


Visual pleasure is just a fig leaf of the narrative of "two heroes"


For the fans of old Hong Kong films, the closest thing to "Eliminating Violence" is the nesting of "Double Heroes" mode in China and Hong Kong police films in the golden age.


In the film, Zhong Cheng (Wang Qianyuan), the newly arrived captain of Interpol, and Zhang Ying (Daniel Wu), who is based on Junwei Zhang, the "first gangster in China", are portrayed as the poles of good and evil with equal fighting power and ingenuity.


In order to show their abilities, the film set up multiple contrast shots, just like the montage of shooting practice, or the "same frame" of the video hall where they learned their unique skills from the police and bandits films.Interestingly, the clips that the two watched repeatedly were from the classic Hong Kong-style duo films..



Unfortunately, beyond force and bad taste, Eliminating Violence, which is too obsessed with external stimuli, neither rubs the chivalrous feeling given by John Woo to Bloody Heroes, nor provides the "wits-fighting" attribute of classic paradigms.


Director Ho Leung Lau once said in an interview that the original idea of the film was simply to focus on this policeman and gangster. Later, at the suggestion of producer Han Sanping, the current police and gangster group images were constructed by combining real reports.



Even if we have done enough time restoration in the aspect of service, the writing from policewoman to gangster is too facetious, and the film has failed to escape from the format framework that contemporary audiences have long been familiar with and bored with.


The young criminal police still have the strength to pull open the gangster’s car door after being shot in the heart at close range, just like the drama of Zhang Falcon, the bandit leader who has fled far away, turning back and killing his accomplices immediately after learning that they can’t escape the scene, they are just self-revelry with a lack of imagination.


The moments that best reflect the intelligence of both sides are the process of Zhong Cheng and his colleagues unlocking Zhang Ying’s message code, discovering his hiding place, and the criminal process of Zhang Ying’s ingenious use of knots to break the bank safe.


However, compared with the real hard work of the police and the criminal ingenuity of Zhang Jun, the prototype of the bandit, who repeatedly escaped from the police, these comic-book treatments are too light.


The gap between "towel" and "towel" reflects the dislocation of the director’s understanding of relatively unfamiliar subjects; As long as the protagonist is not embarrassed, the embarrassment is the audience.


"An Liang" is powerless, and the "lack" of the title is even more regrettable.


In the subtitles before the end of "Eliminating Violence", the title "Eliminating Violence" and the word "An Liang" which is used with it appear as the finishing touch.Can the title of the film be changed fromIn the adjusted "Eliminating Violence", it seems that there are still three words behind the "lost" half: not confident.



When we are shocked by Daniel Wu’s exaggerated and deformed makeup in the film, I’m afraid we will be disappointed if we look at the image data of the prototype gangster Zhang Jun again.


Even if there is a wild and unruly rage between gestures, I am afraid that no one will have the slightest feeling that "this person is not right".



Being able to mobilize gangs including many "brothers" and mistresses to commit crimes for many years is difficult to be arrested. Obviously, this "China’s No.1 gangster" relies not on muscle or intimidation, but on his brain.As a genre film that should give enough vigilance to criminals, "Eliminating Violence" needs to be really clarified, and it is precisely the process of how the police use their ingenuity and bravery to make criminals willingly surrender to the law.



According to the documentary data of that year, Zhang Jun’s attitude towards being captured by the police was "convinced orally". But "Eliminating Violence", which is still consuming physical charm until the climax, obviously has no such consciousness.


Taking visual simplicity and rudeness as the first priority, Eliminating Violence has no time to elaborate the fine Lohan Bureau of both good and evil outside the love drama for action and rhythm adjustment. It just "deifies" Zhong Cheng’s inspiration and Zhang Ying’s anti-reconnaissance deployment mechanically and without any reason, and there is no the most important intelligence-fighting pleasure in the "Double Heroes" drama.



Of course, it may also be out of the creator’s goodwill to not describe the details of the crime in too much detail. For example, the director’s bid for the Olympic Games once said that the process of "defrauding insurance" was simplified to avoid giving birth to imitation cases.


However, the bloody scenes wantonly displayed in "Eliminating Violence" and its difficulty in being copied in the current monitoring network environment obviously cannot be used as an excuse for the thoughtless narrative of the film.


As early as two years after the collapse of Zhang Jun’s criminal group, a drama series called "Heaven does not hide traitors" put Zhang Jun’s case on the screen. However, in addition to the sporadic praise for the action scenes, its over-"upright" casting and over-"magic change" plot (especially the arrest process of the principal offender) have been criticized.



However, nearly 20 years later, the all-round "upgrade" of "Eliminating Violence" has almost moved the "fallacy" that the main criminals in the series fled back to their hometown to find weapons, and it has taken a step further with the "strong man locking men" drama mentioned above.As everyone knows, this strange feeling is "advanced", which is really one of the major themes.


A piece of "white cloth" is expensive. What is the spelling behind it?

The change of screen

At present, the mainstream film projection form is "reflective imaging". Previously, it was film, which was recorded on coke film. After digital words, the image picture is that the image signal is driven by the corresponding processing circuit to form an optical signal, which is focused by the lens and then presented on the medium. The screen is such a medium.

 

In the early days of the film, white walls and white cloth served as imaging media. The projector is aimed at a white wall/cloth and projects the image onto the white wall, so the rough and original image appears in front of people.

The surface of the white wall is rough, and the white cloth is a little better but still not delicate. Their light reflection is "diffuse reflection", which can be reflected evenly in the range of 180. However, as a cinema, the included angle between the screen plane and the seating area is less than 180 degrees, usually the maximum included angle is only 60-90 degrees, which means that there is no way to use the light beyond the included angle, and the reflected light cannot be greater than the incident light. Therefore, the effective brightness gain of white walls and white cloth as screens cannot reach 1. Moreover, because the optical properties of white wall and white cloth can’t be controlled, but the optical properties greatly affect the image quality, so white wall and white cloth are not ideal film imaging media.

So a professional "screen" came into being.

 

Manufacturers apply coatings on the curtain base, such as barium sulfate or metal powder, as well as reflective screens made of glass beads and transmissive screens made of translucent materials. At present, the widely used metal screen, that is, spraying a layer of metal material on the screen base to enhance the reflection performance and polarization characteristics of light, creates a brand-new image reflection medium compared with the traditional white screen, reasonably improves the technical performance of the screen, such as brightness gain, and greatly improves the imaging quality of the screen.

 

Improvement of technical indicators

 

There are many technical indexes to evaluate the screen, and the common optical performance indexes include brightness, clarity, reflection angle, color, resolution and so on. Different screens present different picture quality, the fundamental reason is that the screen indicators are different. Indicators closely related to screening are as follows:

 

1. Brightness coefficient

That is, the "gain" that everyone knows in the industry is also the most representative indicator of the screen.

 

2. Effective scattering angle 2α

The effective scattering angle 2α of the screen is twice the maximum horizontal viewing angle α at which the screen reflection brightness is based on the brightness value of 5 viewing angle, and the brightness drop is not more than 50%. The measurement of this angle is based on the screen normal, with α on one side of the normal and 2α on both sides. Usually, "scattering angle" is used instead, and the larger the effective scattering angle of the screen is, the better.

 

3. Sound attenuation

The sound attenuation caused by the speaker located behind the screen of a transparent screen is defined as the difference between the sound attenuation of 8KHz and 12.5KHz and the sound attenuation of 500Hz, which is not more than 3dB and 6dB respectively. This item is easy to be ignored, especially the application of microporous screen will be more and more. Whether the diameter, spacing arrangement and perforation rate of sound transmission holes meet the requirements, reduce sound attenuation and ensure clear and realistic sound.

 

3. Color of reflected light

Screen surface requires good color reducibility, that is, the color chromaticity of reflected light and incident light should be consistent. The color temperature difference between the incident light and the reflected light on the screen shall not be greater than 200k K. This indicator is easy to reach the standard on the screen, but what needs attention is the color chromaticity of the incident light.

 

4. Resolution

The current definition, which we express in "pixels". The film age is represented by "line pairs". The screen used for projecting movies should have a projection resolution of more than 80 line pairs/mm. According to the resolution of the current screen, the resolution that can be displayed can exceed 4K or even reach 8K. (It will be explained in detail in the related article "Clarity". )

 

6. Screen material and coating uniformity

The material and coating of the whole screen should be uniform, and the uniformity of brightness distribution should be not less than 80%. This item can best reflect the attitude and process maturity of screen manufacturing, and the surface of unqualified screen products can be distinguished by naked eyes, such as stripes, spots and irregular shadows.

 

(Image source: Ivy Gallery Movie Star Screen)

Of course, including the screen.Technical index of physical performance. The progress of modern screen technology revolves around these two parts.

for exampleBrightness aspectThe higher the brightness gain, the more concentrated the light reflected by the screen will be, which will produce the effect of bright in the middle and dark around. At this time, we call it "brightness uniformity" decline. From the technical principle, the brightness gain and brightness uniformity of the screen are a pair of contradictory terms, which cannot be well taken into account. Therefore, the progress of technology lies in obtaining higher brightness gain on the basis of higher brightness uniformity.

Therefore, many screen manufacturers are trying to improve this performance. For example, the film star screen improves the formula of reflective coating and introduces a 2.8 gain product, which makes the screen have both higher gain and larger effective scattering angle, and obtains better brightness uniformity in practical use and improves the picture quality. For the audience, it is that no matter which area in the cinema, uniform image brightness can be obtained.

Indicators and application scope of "movie star" screen (table)

 

Such as light reflection efficiency. The reflectivity of the screen is the ratio of the light projected by the projector to the intensity of the reflected light on the screen. The reflectivity of 50% means that half of the light is lost. In the past, the reflectivity of ordinary metal curtain was about 50%, but the newly developed screen has obviously improved the reflectivity, reaching more than 85% or even more than 90%. Compared with the traditional screen, the new screen makes the light reflection of the screen more controlled and has no stray reflection by reducing the sound transmission aperture, improving the coating arrangement and adding optical microstructure.

 

Another example is the polarization ratio. The polarization ratio of the screen is also one of the important indicators to eliminate ghost. If the polarization ratio is insufficient, the ghost will be heavier. Generally, the partial direct ratio of ordinary metal screens is required to be above 150:1. Nowadays, high-end screens have a polarization suppression ratio of over 500:1. It is not easy to feel the existence of ghosts.

In terms of physical performance, there are mainly the following indicators:

1. Aperture and perforation rate.

Before the screen, there were large sound holes, mainly to ensure the sound efficiency and frequency of the speaker behind the screen. In the era of digital movies, when the pixel size of 2K-definition movies is in a certain proportional relationship with the size of sound transmission holes, "moire" will occur. If you want to reduce moire, you can only destroy the above proportional relationship. Therefore, reducing the aperture of the screen has become one of the ways. At the same time, in order to improve the reflectivity, it is also necessary to consider changing the perforation rate while reducing the aperture.

For example, the aperture of the ultimate screen is only 150 microns, and the "movie star screen" can be mass-produced in almost unlimited size by continuously improving the processing equipment and technology of seamless splicing 0.6mm At the same time, the perforation rate can still reach 4.5%, which is not blindly reduced, fully ensuring the advantages of sound attenuation, but visually reducing the interference of sound-penetrating holes to a very low level and achieving excellent balance.

2. Screen size and strength.

As the picture of the film changes, the size of the screen also changes.

At the beginning, the aspect ratio of the movie screen was 1:1.33. After the wide-screen movie appeared, the aspect ratio of the screen increased to 1:2.35. The aspect ratio of the covered film is 1:1.85, while the aspect ratio of the IMAX giant screen is 1:1.44. In the digital age, the aspect ratio of the picture has changed slightly, with the ratio of wide screen being 1:2.39 and IMAX giant screen being 1:1.78. At the same time, the screen size is getting bigger and bigger, and the width is expanded from six or seven meters to twenty or thirty meters.

The size of the screen is a great test of the production strength of manufacturers. At present, there are two technical solutions, one is vertical, that is, the factory building has to be higher than the screen height, and the screen is hung vertically for machine spraying; The other is horizontal spraying, and the domestic "movie star screen" has the real production capacity of vertical spraying of super giant screen with a width of 100 meters and a height of 25 meters.

With the increase of screen size, the tension requirement of screen is increased, which puts high demands on the strength of screen, especially the splicing strength and effect. The strength requirement also includes the edge strength of screen hanging. As far as the intensity of screen base is concerned, one of the effective ways to reduce the speckle of tricolor laser is to vibrate the screen, and long-term vibration will undoubtedly put forward requirements for the intensity of screen base.

Nowadays, with the use of nano-new materials made of PET, the physical properties of the screen have been greatly improved. Under the conditions of heat, moisture and tension, the deformation of the screen is very small, and there is almost no relaxation damage after long-term vibration, which is more durable.

3. Splicing technology.

Because the screen is not produced as a whole, it is formed by splicing, so the splicing process of the screen also affects its performance. Good splicing should have a certain strength and be invisible at a certain distance. As a professional screen product provider, Wuhu Movie Star Giant Screen Co., Ltd. improved the screen seam technology through technical reform, so that the seam could not be seen at a distance of 1 meter in front of the screen, far exceeding the national standard.

4. Foldability.

In the past, most screens could not be folded, which meant that they had to be assembled in a drum, which was inconvenient for transportation, storage and hanging. Nowadays, the folding of nano-material screens has been improved, resulting in a number of foldable screens.

 

Important note:

 "Why are the pictures in the cinema more and more colorful?"

"Because the post-production is excellent." -that’s not the point.

"Because the performance of the projector has improved." -this is on the one hand.

"The performance of the imaging terminal screen has been continuously improved. 。” -this is the positive solution.

Therefore, paying attention to screen selection and protecting the screen needs more attention and professionalism.

(Title, text source: Ivey movie gallery, text has nothing to do)