CCTV News:Continue to focus on the latest trends of Typhoon Mangosteen No.22 this year. "Mangosteen" has developed into a super typhoon with high destructive intensity, wide range of strong winds and sufficient water vapor in the cloud system in just a few days, so it will become the strongest typhoon landing in China this year.

　　　　　　 It can be seen from the satellite cloud picture released by the Central Meteorological Observatory at 11 o’clock that "Mangosteen" has been approaching the coastal area of the Pearl River Delta.

　　　　　　 The Central Meteorological Observatory continued to issue a typhoon red warning today: at 12 noon today, "Mangosteen" was located on the sea about 205 kilometers south-east of Taishan City, Guangdong Province. It is estimated that it will move to the north-north direction at a speed of about 35 kilometers per hour. It is expected to land in the coastal area from Taishan to Yangjiang in Guangdong around this evening. After landing, it will continue to move to the north-north direction, passing through western Guangdong and southwestern Guangxi, and its intensity will gradually weaken. It will weaken into a tropical depression near the junction of Guangxi, Yunnan and Guizhou around the 18th.

　　　　　　 At 9: 40 this morning, the Hong Kong Observatory upgraded "Typhoon Signal No.9" to "Typhoon Signal No.10", which is also the highest tropical cyclone warning signal in Hong Kong. At the same time, the Hong Kong Observatory also issued a red rainstorm warning signal.

　　　　　　 At 11 o’clock this morning, the Macao Meteorological Bureau changed to hang the No.10 typhoon signal. Since the evening of 15th, all ships from Macao to and from Hong Kong have stopped sailing, and the entry and exit ports of Macao have also been closed.

　　　　　　 Affected by Typhoon Mangosteen, Shenzhen Airport suspended all flights on the 16th. All inbound and outbound flights of Zhuhai Airport were also cancelled on the 16th. After September 17th, Zhuhai inbound and outbound flights will gradually resume operation depending on the weather conditions.

　　　　　　 As of last night, North China Air Traffic Control accepted 143 scheduled flights cancelled by typhoon at the Capital Airport on the 16th, including 73 outbound flights and 70 inbound flights.

　　　　　　 The high-speed rail in Guangdong Province was shut down all day today; Passenger trains will be stopped from 9: 00 to 20: 00 in Guangzhou and from 4: 00 to 20: 00 in Shenzhen. After 16 o’clock this afternoon, the high-speed rail around Hainan Island was shut down; On 16th-17th, the cross-sea trains, Jiangzhan Railway, Guang Mao and Xinyi Intercity General Speed Railway in and out of Hainan Island were stopped.

　　　　　　 The National Defense General and the Ministry of Water Resources analyzed and judged the development trend of typhoon Mangosteen and its possible adverse effects. On the basis of sending five working groups to Guangdong, Guangxi, Hainan, Fujian, Yunnan and other provinces in the early stage, they sent another working group to Guizhou to assist and guide the flood control and typhoon prevention work.

　　　　　　 Up to now, more than 30,000 fishing boats in Guangdong Province have all returned to Hong Kong, transferring more than 100,000 people in dangerous areas; More than 20,000 fishing boats in Hainan Province have all returned to Hong Kong to take shelter from the wind, and 80,000 fishermen have been transferred. More than 10,000 fishing boats in Guangxi have all returned to Hong Kong to take shelter from the wind, and more than 30,000 people have been cultivated on board and offshore. Fujian province has transferred more than 50,000 people on fishing boats and rafts, and more than 10,000 fishing boats have been evacuated to Hong Kong to take shelter from the wind.

Special feature of 1905 film network The director met the audience at the Spring Festival for the third year in a row. Focusing on "reality+comedy", he explored profound social topics through the warm and happy "family life".

In the Spring Festival special program of "Spring Festival Movies Booming", Zhang Yimou, director of the film Article 20, walked into the Blue Feather Living Room with actors,,, and.

Click to watch the Spring Festival special program | "Article 20", the main creation of "Blue Feather Living Room" (below)

Lan Yu: Director Zhang Yimou met with you again. What does the Spring Festival file mean to you?

Zhang Yimou: It means the Chinese New Year, because during the Chinese New Year, everyone is happy and safe, so we hope that we can bring such a movie to add laughter and warmth to everyone.

Lan Yu: This is the most funny movie you have ever made, isn’t it?

Zhang Yimou: According to my own statistics, I often count and laugh more. In the past, when I made my debut, I made movies instead of comedies. Of course, comedy is difficult to shoot. Now I can especially understand that it is very difficult for actors to play skits. It is very difficult to play humorous things. It must be well-pleased, natural and heartfelt, and it also makes people laugh and have a aftertaste.

Lan Yu: The topic of justifiable defense in Article 20 is very hot on the Internet. When did you focus on this topic?

Zhang Yimou: I didn’t know much about it in the past. I took the script and saw that the story was good and well-founded. So I was going to make a movie, get in touch with it and study it slowly. I met many people in the procuratorate and they gave me a lot of opinions. I didn’t know that this law called sleeping in the past, that is, self-defense, how to judge whether it is self-defense, and the difference between it and intentional injury and intentional homicide and excessive defense is actually very knowledgeable. In our country, bills like self-defense are constantly appearing, which is the progress of the rule of law and civilization. This is my learning experience.

Lan Yu: For such a serious and realistic theme, you have presented it to everyone in a comedy way. Why do you have a soft spot for comedy now?

Zhang Yimou: Because it’s the Spring Festival, and there are such a good cast, I think it’s best to make it comic. I think this kind of theme is usually very serious and solemn, and it is a court debate, and it is rarely presented with comedy elements. China’s old saying is entertaining, so I really want everyone to see a story that is related to the people after laughing in the New Year. Realism, I think, is to start from this angle, not to say that what you are shooting today is called realism. Realism lies in how relevant it is to what people think and how profound or broad it is.

Lan Yu: There are many wonderful performances in this movie. Lei Jiayin and Zhang Dao cooperated for four times? The director once said that Lei Jiayin is an actor with strong plasticity. What do you think of Lei Jiayin’s plasticity this time?

Zhang Yimou: This time is the most difficult. Although he is a county-level prosecutor, it is difficult to play. I first discussed with Lei Jiayin whether we could play a common people and a family relationship first. I think this is very important. He has a lot of personality, some flaws and some imperfections, but he is very grounded.

Lei Jiayin: Actually, it is really difficult to turn such a working person into a person in our life. What is another difficulty? When we first began to experience life with Gao Ye, we thought it was a serious play. As a result, when the computer was turned on, the director had a meeting with us and told me and Mary that my request was entertaining. If we read the law directly to everyone, people don’t watch this movie, so we need a comedy package. We have to play comedy as a prosecutor, which is actually another difficulty.

Lan Yu: In "Man Jiang Hong", Lei Jiayin’s lines left a deep impression on everyone. This time, he is the most ordinary, maybe everyone seems to be the most timid person, but he said the most important and correct words. What kind of design is this?

Zhang Yimou: After Man Jiang Hong, he is very eloquent. At that time, the play was the same. The script had the most important play, six pages, and it had to be done in one go. I told him that you don’t have to remember it all. I’ll shoot it in stages, but I have to cut it anyway, and there may be flashbacks or something. But he can write it down. He remembers words well, which is an actor’s material. In addition, you can play on the spot, be colloquial, have feelings, and have cadence. These are all skills.

Lei Jiayin: It’s about a week before the shoot, and this kind of word is repeated every day. You have to form a muscle memory, otherwise there will be too many people below, and you won’t be able to think about it now, so you are basically muttering there every day.

Gao Ye: I’m a little enchanted. For example, when changing planes, I said, what are you doing? Recite words. How many words do I say? Six pages. I said wait and see six pages of Lei Jiayin War.

Lan Yu: How did you feel when you saw his performance?

Gao Ye: We were going to watch the music that day. After that, we happily watched Teacher Lei fight six pages. As a result, I cried. How long did he recite and how long did I cry?

Zhang Yimou: Many people cried at the scene, and they applauded spontaneously with the group performance of the acting. I didn’t stop, but I applauded after I finished.

Lan Yu: This time, I played the role of husband and wife with Mary with a very high degree of tacit understanding, and there were many jokes. I heard that a lot of burdens were collided by you on the spot? Do you often laugh to the point where you can’t shoot?

Zhang Yimou: Yes.

Lei Jiayin: The most serious scene was the one where my ex-boyfriend’s name was likui jy.

Lan Yu: This is impromptu?

Zhang Yimou: Of course, I didn’t know.

Lei Jiayin: She said her ex-boyfriend’s name was likui jy, and I laughed.

Zhang Yimou: That’s the end of the conversation.

Lei Jiayin: I’m right, I know, your ex-boyfriend Black Whirlwind. Then we started laughing, and finally the director used it, but cut off the black whirlwind.

Mary: Life is very good. The couple quarreled and laughed, which is quite good.

Lan Yu: What did you think at first?

Zhang Yimou: I have seen some of her plays. Her performances are more about pursuing characters and life, which happens to be very necessary. I feel as easy as lifting weights. I like the rhythm in their comedies very much. I like the speed very much. The speed of speech is very fast. If you roll two people, those burdens will roll out. I rolled out, I haven’t laughed yet, and the next one started rolling again. I find this sense of speed very interesting. Rolling comedy is life-oriented and brings intimacy to the audience.

Mary: As Lei Zi just said, are we kidding? No, we are very serious. The more serious you are, the funnier you are. You can’t think it’s funny.

Lan Yu: The director should be very happy this time. The back of the monitor has been laughing.

Zhang Yimou: Yes, I laughed all the time. I couldn’t help laughing all the time. I squeezed them every day, and then I found that this method was more effective. So we rolled on the spot. We had almost 8 or even 10 machines, and each time it was different, we opened the blind box. Very excited.

Mary: At the beginning, I was nervous and afraid, and I didn’t know what it would look like. But I was very excited about the director’s squeeze, and I was looking forward to it. I didn’t know what it would look like when I arrived at the scene, so I was particularly looking forward to it.

Lan Yu: This time Gao Ye returned to director Zhang’s crew in a different capacity. 13 years ago, I was an assistant director and also participated in the performance.

Zhang Yimou: Gao Ye was a young girl at that time.

Gao Ye: Senior year internship. My performance has really improved a lot over the years.

Lei Jiayin: That will have personality.

Lan Yu: After 13 years, under the lens of director Zhang Yimou again, this kind of inner pressure should be quite great, because we must prove ourselves.

Gao Ye: I thought I wouldn’t be nervous, and then I was really too nervous. After learning from the scriptures with everyone, I first communicated with Lei Zi, but it didn’t work after I finished. Then I communicated with Brother Yi after about seven or eight days. When I arrived, I communicated with Lawrence Wang. I found that everyone didn’t seem as relaxed as I thought. I said ok, so I accepted my nervousness. Actually, I’m not nervous about acting. I’ve never been nervous. I don’t know what happened that day, but I’m so nervous that I think there are a lot of distractions. Maybe I’m putting a lot of pressure on myself.

Lan Yu: Gao Ye plays a very important role in the film. What different changes did the director see after 13 years?

　Zhang Yimou: Yes. Of course I saw her. I seldom watch a play, especially a play. I like her role very much, and it is well shaped, so I thought, we will definitely have a cooperation, and we may need to find her in the next play. Her greatest advantage is that she is quite relaxed. I think all her performances are as I expected. When I played her heavy scene, I watched the monitor, and everyone behind me cried. That was probably the first cry in our whole movie, which was touching. When I saw her performance, my first feeling at that time was that this scene was finished and had a soul. The second feeling is very strong, I feel that Gaoye has grown up, grown up and matured. I can completely control such a character, something that comes out of my heart, something in my eyes, especially something in my heart. I can see that an actor is mature, and I think her road is still very wide. This is the best time.

Lan Yu: I think this movie is the least Zhang Yimou and the most Zhang Yimou. Why don’t you say Zhang Yimou is the least? It’s because you completely put aside the image styles that we have seen before and that you are best at. Why do you want to abandon these and simplify them?

Zhang Yimou: I want to wash away the lead, too. This movie has no style, but it has style. Because in the realistic atmosphere that I hope the people will widely agree with me, I think anything deliberately visualized may be harmful. We highlight the power of drama, the power of characters, and the power of emotions. Our vision is really rare. Because my realistic works are very few, especially similar to this one, but that one is actually very stylized, and it is very similar to a documentary by means of snapshot and sneak shot. There is another one, some black humor, and the vision is very stylized. This time, give up completely and let it fit naturally. It’s also the first time to try.

Lan Yu: I heard that you have a small desk lamp, which lights up after everyone in the crew finishes work every day. What kind of work do you usually do?

Zhang Yimou: I just take notes to see which shots have been shot and which shots have not been shot. I have to make a plan and write down some key points. Every shot has many up-and-down connections, so I always remember a lot of director’s homework. I call this director’s homework.

Lan Yu: Is this a habit that you have persisted in for many years?

Zhang Yimou: It was like this from the first play. Always remember, I’m afraid every director is like this, because the director has to do a lot of directing homework, and you have found the most tiring and hard job, so you should do it well. I don’t think anyone is born to be a good director. To be a good director, you have to keep learning, just like I am now. Although I have directed plays for many years, everyone seems to feel that I am a senior director, but I am still learning. A director can never finish his lessons.

Lan Yu: This is also the greatest charm of this profession.

Zhang Yimou: Yes, you will always learn, and you will always have new absorption. Working with all actors, different types of actors and different stories will give you new insights. I feel more and more that it is extremely difficult to make a movie well, completely and perfectly. My own feeling is that it is extremely difficult to make a good movie.

Lan Yu: Did Mary observe the characteristics and details of the director’s work on the set?

Mary: All the working conditions of the director are what I admire most. Just now, when I looked at the photo, I said that he was too handsome and charming. He was not only in appearance, but also innovative as the director just said. I just wanted to know how the director could think of adding such a theme with comedy elements. This is something that I don’t think ordinary people can think of. It requires a particularly detached imagination, and the energy of all actors is integrated together, so it can’t be a multi-layered feeling. I remember one time at an award ceremony, I said that I was middle-aged, and I was looking forward to the director who understood me. Maybe God heard my wish. Director Zhang Yimou really asked me to make this film. Thanks to the director, I can see myself and have a lot of potential.

Lan Yu: I heard that after entering Zhang Dao’s crew, everyone will be very involved.

Mary: Volume. I went back in the middle of the night and did my homework silently. There was a scene in which Lei Jiayin, I and the three of us really couldn’t figure out how to act. Said in the middle of the night, if the director didn’t sleep, Zhang Yi found it, (asked the director) if he could come to the office, and we talked about it until 3: 00 in the morning, how to shoot and how to perform the next day. The director began to analyze each role. After the analysis, we were full of confidence. The next day, when we turned on the phone, we took two shots and passed.

Lan Yu: What about the poker scene?

Mary: The director mentioned it.

Zhang Yimou: Yes. They did a good job, many small ideas. That scene is very important, which lays the background of the story. What is this family background, its present situation and family ecology? It’s lines, family ecology.

Lan Yu: The refreshing hairstyle and clear eyes are particularly beautiful. Zhang Dao, do you think Yao Wen is the kind of movie face?

Zhang Yimou: After the first two scenes were filmed, our photographer told me from the bottom that the child was really photogenic. Because the first scene he shot was the first scene we shot after the opening ceremony of the whole group, all the handhelds thought he was easy to shoot, and he was a movie face.

Lan Yu: The character Yao Wen has such courage because he grew up in a very happy family. Yao Wen also came out very early in his life to struggle. What does family mean to you in your mind?

Liu Yaowen: I am like friends with my parents in real life. I think what my family brings me is warmth, and our family is very happy. I will communicate with my parents about all the difficulties I am facing now and what happened to me today. I think my parents are my very strong and solid backing. If there are bullied classmates around me, I will also lend a helping hand, but in a more rational way.

Lan Yu: In life, are you a person who is willing to express his thoughts or love with his parents?

Liu Yaowen: I think I can express it, but I can’t say how much I love it. I may hide it in my heart.

Zhang Yimou: How do you express your missing?

Liu Yaowen: I will video with my father. Sometimes I really want to express my love or gratitude to my mother, but it’s hard to say it. I can only express it by action.

Zhang Yimou: I still have to say it in the future. I think I have to say it. Boys are always like this. I just haven’t said it all my life, and I’m sorry now. My father left long ago, and my mother left later, and a few years ago, so I’m sorry now, and now I’m sorry. I feel that I haven’t said a lot, because I’m the boss of the family, so I usually don’t say it, that is, I just take action. There is very little to make a phone call, and I have worked for so many years, so I’m a mother. When I woke up suddenly at night, I kept thinking, why didn’t I say something at that time, or why didn’t I do it? For example, I have been walking, and my mother has been walking, which is a pity for a long time. It’s a pity to say why I didn’t take my mother with me and walk for a while. It’s a pity that you will remember it many times.

Lan Yu: Have you ever said that on your lips, but didn’t say it?

Zhang Yimou: Yes, many times, many times. I think about it on my lips or in my head, but I don’t know why I’m embarrassed, so I put up with it. But in the end, I will feel sorry. Even now that I think about it, I’ve always been sorry, and I can’t forgive myself for many things. This is my feeling. So I’m telling you now, Yao Wen, don’t leave regrets for yourself in the future. Sometimes, say what you should say.

Lan Yu: Alan Aruna, a vicious professional, is also very brave to challenge this time. I suggest that Alan Aruna take this opportunity to introduce himself to the director. Will he challenge more other roles in the future?　　

Alan Aruna: Actors want to try, so let’s rely on their works and work harder. Anyway, god pays off.

　　As the date of Japan’s unilateral decision to discharge the water polluted by the Fukushima nuclear accident into the sea is approaching, many countries and stakeholders have expressed serious concern.

　　According to the news of the United Nations website on May 27th, from May 29th to June 2nd, the special working group of the International Atomic Energy Agency (IAEA) to conduct a comprehensive safety review on the treatment water discharge plan of the advanced liquid treatment system (ALPS) of the Fukushima Daiichi nuclear power plant in Japan will visit Japan again, which is the last visit of the working group before releasing its comprehensive report.

　　According to the IAEA, during this visit, members of the working group will meet with Tokyo Electric Power Company (TEPCO), the operator of the Fukushima Daiichi nuclear power plant, and representatives of the Ministry of Economy, Trade and Industry and the Japan Atomic Energy Regulatory Commission in Tokyo.

　　In addition, the working group will also go to the Fukushima Daiichi nuclear power plant to review the construction of the polluted water discharge system, and check the preparations for facilities and equipment related to the advanced liquid treatment system.

　　It is reported that no special official report will be released after the five-day visit of the review working group, and the relevant discussions will be reflected in the comprehensive report that the working group plans to launch at an appropriate time. This comprehensive report will take into account all the opinions and conclusions of previous working group visits, including a series of extensive assessments of Japan’s plans to discharge what Japan calls "treated water" in accordance with relevant international safety standards.

　　At the same time, at the 76th World Health Assembly held on 27th local time, the representative of China once again stressed that China firmly opposes Japan’s unilateral decision to discharge the water polluted by the Fukushima nuclear accident into the sea.

　　The representative of China said that the process of discharging nuclear polluted water in Fukushima will last for 30 years. The Fukushima coast has the strongest ocean current in the world. Ten years after the nuclear polluted water is discharged into the sea, the relevant radionuclides will spread to the global waters. This move is to pass the risk on to all mankind. This is not a private matter of the Japanese side, but a major issue related to global public health. Many countries and stakeholders have expressed serious concerns. Before reaching an agreement with all parties through consultation, the Japanese side shall not start the discharge of nuclear polluted water into the sea without authorization.

　　On April 13, 2021, the Japanese government officially decided to discharge the nuclear sewage from the Fukushima Daiichi nuclear power plant into the sea. The Japanese side stated that the nuclear sewage would be "filtered and diluted" before being discharged into the sea.

　　Beijing, 5 May (Reporter Peng Bo) On the 5th, the Supreme People’s Procuratorate released "Ten Typical Cases of Intellectual Property Protection by Procuratorial Organs in 2015", including various types of intellectual property cases such as infringement of trade secrets, infringement of copyright, counterfeiting of registered trademarks, disputes over trademark use rights and infringement of invention patents. According to the statistics from the Supreme People’s Procuratorate, in 2015, the national procuratorial organs approved the arrest of 2,615 cases involving 4,445 people and prosecuted 4,484 cases involving 8,025 people, indicating that the efforts to crack down on intellectual property infringement crimes are increasing.

　　With the development of China’s economy, disputes and cases involving intellectual property rights are increasing. In 2015, industrial and commercial and market supervision departments at all levels in China filed a total of 51,000 cases of infringement and counterfeiting, involving 740 million yuan. At the same time, under the influence of local and departmental protectionism, some places indulge or even shield and cover up illegal and criminal acts of infringing intellectual property rights and manufacturing and selling fake and shoddy goods, and some administrative law enforcement officers with supervisory responsibilities and investigators with investigation responsibilities engage in malpractices for personal gain and dereliction of duty, acting as "protective umbrellas". In this regard, the procuratorial organs responsible for investigating and dealing with duty crimes have intensified their crackdown. In 2015, the national procuratorial organs decided to arrest 3 job-related criminal suspects who indulged in the crime of manufacturing and selling fake and inferior commodities, and prosecuted 3 cases and 3 people; It was decided to arrest 13 job-related criminal suspects and 15 people suspected of engaging in malpractices for selfish ends and not handing over criminal cases, and to prosecute 64 cases and 118 people. In terms of supervision of criminal proceedings, after the national procuratorial organs initiated the procedure of filing and supervising the infringement and counterfeiting cases that the public security organs should have filed but not filed for investigation, the public security organs filed and investigated 717 cases of 859 people suspected of producing and selling fake and inferior commodities and 49 cases of 61 people suspected of infringing intellectual property rights.

　　The National Conference of Procurators General held at the beginning of this year requested that procuratorial organs at all levels should strengthen the research on new crimes of infringing intellectual property rights in the era of big data, carry out in-depth work to crack down on crimes of infringing intellectual property rights and manufacturing and selling counterfeit and shoddy goods, actively promote the construction of a mechanism linking administrative law enforcement and criminal justice in the field of intellectual property rights, protect emerging productive forces according to law, and ensure mass entrepreneurship and innovation.

1905 movie network news Directed by Lv Le, adapted by Qin Haiyan, starring Yao Chen and Ma Yili, and starring Yuan Wenkang and Wu Haochen, the realistic film released a climax and tears today. In the film, Li Jieqiang, played by Yao Chen, was so anxious that she tearfully prayed for Sun Fang, played by Ma Yili, to return her daughter. Sun Fang clung to her child, and gradually became dejected from her initial struggle. She finally let go and let the child jump into the arms of her biological parents. Yao Chen Ma Yili, the actress, broke out in acting, and with her professional and precise acting skills, she explained the state of two mothers in different situations from confrontation to reconciliation to the extreme, pushing the plot of the whole movie to the peak.

Finding You scored a cat’s eye score of 9.0. As the only quality masterpiece that broke through 9 points in the National Day file, it filled the gap in the female theme of the National Day file. At the same time, many movie topics such as "Finding You fear of marriage after Reading" and "The Child in the Refrigerator in Yao Chen" also caused heated discussion among the audience in Weibo. The box office of the movie went down for three days in a single day, and it achieved the first attendance rate in the country for several days, and ranked first in the recommendation of the movie Weibo V in the same period of the National Day file, and the total box office broke.

From the perspective of women, Finding You tells the story of 48 hours’ pursuit and redemption of two mothers whose fates are intertwined. The delicate and real lens language profoundly presents the living dilemma of different contemporary women, and conveys the tenacious and powerful positive energy of women in the tense and exciting plot rhythm. Both inside and outside the industry received rave reviews, not only from Jason Wu, Lu Chuan, Jia Zhangke and other famous directors in the industry, but also from Weibo, a well-known entertainment figure such as Zhao Wei, Xú Zhēng and Lei Jiayin, with the collective forwarding help of entertainers such as Zhu Yawen, White and Song Jia, as well as the support of well-known cross-border people and outstanding female representatives such as Dr. Cui Yutao, lawyer Zhang Zhiwei, Liang Ning, Hong Huang and Li Yinhe. Since the release of Finding You, it has gained a good reputation.

The climax of "Finding You" is exposed.

Yao Chen Ma Yili’s peak deducts maternal instinct and explodes the hot topic of women.

In the clip, Li Jie, the working mother played by Yao Chen, rushes to the deck in a panic, tearfully imploring Sun Fanggui, the simple mother played by Ma Yili, to still love her daughter, while Sun Fang holds the child tightly and accuses Li Jie of being a mother’s dereliction of duty. Li Jie cried and blamed herself, even kowtowed and knelt down. Sun Fang felt dejected. In the call of the child’s voice "Mom", he finally choked back and let the child jump into the arms of his biological mother Li Jie. As the emotional explosion point of the whole movie, Yao Chen perfectly shows the maternal sincerity in Li Jie’s anxiety, while Ma Yili reveals Sun Fang’s ambivalence that she wants children but can’t bear to be separated from her biological mother. Yao Chen Ma Yili, the heroine of the two films, performed performances on the same stage, explaining the state of two mothers in different situations from nervous confrontation to reconciliation, and pushing the story to a peak. The intensity of emotional impact gives everyone the softest place in their heart a touch.

With the delicate and realistic lens language, "Finding You" makes women’s common practical problems about career, family and children deeply presented. Since its release, many movie topics, such as "Find you after watching fear of marriage" and "The child in the refrigerator in Yao Chen", have been frequently searched in Weibo, which has triggered a hot discussion on the whole network. In the film, Yao Chen interprets the emotional state of Li Jie, a working woman, in extreme situations with her exquisite acting skills. When talking about female identity, she said frankly: "No matter whether you have children or not, you must first become a better self." Ma Yili, on the other hand, through subtle eye-play, portrayed the psychology of Sun Fang, a simple woman, in detail. She discussed the topic of fear of marriage with the audience in Weibo: "What everyone is afraid of is not marriage, but meeting unknown people and the future."

The only 9-point female realistic theme counterattacks the National Day file.　

A week after the release, the box office broke through 100 million, and word of mouth continued to sell well.

As a masterpiece of female realism, Finding You tells the story of the fate collision of two mothers with different identities. Li Jie, a workplace lawyer with high requirements of the times, is caught in a dilemma between her career and her family. In the process of looking for Sun Fang, the nanny who "stole" her children, she learned about the life suffering of Sun Fang from domestic violence and her children’s serious illness, and thoroughly realized the profound meaning that "the children should be thanked most, and they brought up their parents". The simple and powerful narrative structure is tortuous, the exciting story rhythm is fascinating, and the outstanding commercial texture makes "Finding You" gain a high reputation with a cat’s eye score of 9.0, and become the only film with a number exceeding 9 in the National Day file. The box office of the film has been declining for three days in a single day, and it has won the first place in the national attendance rate for several days, and ranked first in the Weibo Big V recommendation in the National Day file, and the total box office has accumulated over 100 million, all the way back.

"Finding You" has received rave reviews from both inside and outside the industry. Director Wu Jing used "Be nice to your wife when you go back." Expressing the true feelings after the screening, director Lu Chuan expressed his praise for the quality of the film with "preciousness": "Thank you for making such precious works." Zhao Wei, Xú Zhēng, Lei Jiayin and other celebrities in the entertainment circle have been supported by Weibo, and the collective forwarding of entertainers such as Zhu Yawen, White and Song Jia has helped. In addition, Finding You has also been supported by well-known cross-border people and outstanding female representatives such as Dr. Cui Yutao, lawyer Zhang Zhiwei, Liang Ning, Hong Huang and Li Yinhe. Since its release, word-of-mouth has exploded: "An anti-fairy tale female movie, a commercial suspense blockbuster that is the real finale of the National Day file."

The first preview of "Bruce Lee" is full of blood. Aarif Lee and Christy Chung dance passionately.

　　　 The film "Bruce Lee" is based on the memoirs of Bruce Lee’s younger brother, Li Zhenhui, and tells about the clothes of young Bruce Lee before he became famous. The first trailer of this exposure started with Micang atrix, one of the climax of the whole film, and the dazzling series of flying kicks and Bruce Lee’s unique classic roar can be described as exciting. Then it mainly outlines Bruce Lee’s growth story from birth to the whole youth.

　　　 Wen Juan, producer and director of the film, said, "Hong Kong people have special feelings for Bruce Lee and are very excited to make this film." On the same day, Wen Juan’s daughter Angel also attended the press conference. According to Wen Juan, her daughter Angel played childhood Feng Baobao in the film, and she began to train her daughter very early in order to play this role. And Angel is on the scene to set off the lines in the play, which leads to a burst of laughter.

　　　 At the meeting, the film starring Aarif Lee swaggered Bruce Lee’s classic signature moves, and he was very similar to Bruce Lee as a teenager. Aarif Lee said, "When filming, each of us entered the world of Bruce Lee and felt the spirit of Bruce Lee. In order to better interpret the role, I tried dancing for the first time. " After all, under the "encouragement" of Christy Chung, Aarif Lee danced the passionate and romantic cha-cha with the hot mom Christy Chung, while Tony Leung Ka Fai accompanied him. At the same time, he also greatly praised Aarif Lee: "I watched Aarif Lee grow up and he reappeared Bruce Lee in our mind."
　

CCTV News:On July 20, the State Council held a press conference on promoting the development and growth of the private economy. Xu Xiaolan, Vice Minister of the Ministry of Industry and Information Technology, introduced that the Ministry of Industry and Information Technology has focused on the following aspects:

First, focus on improving the rule of law environment. In-depth implementation of the Law on the Promotion of Small and Medium-sized Enterprises to promote the introduction of supporting regulations, this year marks the 20th anniversary of the promulgation and implementation of the Law on the Promotion of Small and Medium-sized Enterprises, and at present, 27 provinces (cities) have issued regulations on the promotion of small and medium-sized enterprises in their own regions. Carry out in-depth work to clean up the accounts owed to small and medium-sized enterprises and protect their legitimate rights and interests.

The second is to improve the policy environment. We promoted the introduction of a series of policies, such as "Several Measures to Help Small and Medium-sized Enterprises to Stabilize Growth and Adjust Their Structural Strength". Last year alone, more than 40 policies were issued at the national level to support small and medium-sized enterprises, which led to more than 270 supporting policy documents issued at the provincial level. At the same time, we earnestly implemented policies, compacted all responsibilities, and effectively allowed small and medium-sized enterprises to enjoy policy dividends.

The third is to continuously optimize the innovation environment. We have carried out the "three taxes" special actions of digital empowerment, scientific and technological achievements empowerment and quality standard brand assignment for small and medium-sized enterprises to enhance their core competitiveness. Cultivate small and micro enterprises’ entrepreneurial innovation demonstration bases and small and medium-sized enterprises’ characteristic industrial clusters, build innovation carriers and gather innovative resources in all aspects. Improve the gradient cultivation system of high-quality small and medium-sized enterprises, and stimulate the emergence of more specialized and innovative small and medium-sized enterprises.

The fourth is to continuously improve the financing environment. Promote banking financial institutions to increase credit supply to small and medium-sized enterprises, promote new models such as loan-with-loan and loan-with-loan, and promote the incremental expansion of inclusive small and micro enterprise loans. Focus on key industrial chains and carry out the financing promotion action of "one chain, one policy and one batch" for small and medium-sized enterprises. Support the listing and financing of specialized and innovative small and medium-sized enterprises, give play to the guiding role of the national small and medium-sized enterprise development fund, and drive more social capital to invest in early investment and small investment innovation.

The fifth is to speed up the construction of an efficient service system. Promote the initial formation of a service system for small and medium-sized enterprises, with nearly 1,700 public service institutions for small and medium-sized enterprises at the national, provincial, municipal and county levels as the backbone, more than 3,800 service demonstration platforms at or above the provincial level as the support, and a large number of social service institutions as the supplement. In the first half of the year, there were more than 7 million service enterprises of various service organizations nationwide.

In order to further promote the optimization of the development environment of small and medium-sized enterprises in various places, the Ministry of Industry and Information Technology, in accordance with the legal requirements of the Law on the Promotion of Small and Medium-sized Enterprises, has regularly carried out third-party evaluation of the development environment of small and medium-sized enterprises since 2019, covering 36 key cities across the country, and the effect of "promoting construction by evaluation, promoting reform by evaluation, and promoting Excellence by evaluation" has gradually emerged. In the next step, the Ministry of Industry and Information Technology will continue to improve the work system, policies and regulations system and quality service system from the above five aspects, continuously optimize the development environment, and create a market-oriented, legal and international business environment for small and medium-sized enterprises.